{"id":1768,"date":"2020-12-21T00:00:00","date_gmt":"2020-12-20T23:00:00","guid":{"rendered":"http:\/\/venicemusicproject.it\/?p=1768"},"modified":"2025-09-02T10:53:46","modified_gmt":"2025-09-02T08:53:46","slug":"the-show-must-go-on-for-musicians-battling-the-coronavirus-crisis","status":"publish","type":"post","link":"https:\/\/venicemusicproject.it\/it\/the-show-must-go-on-for-musicians-battling-the-coronavirus-crisis\/","title":{"rendered":"The Show Must Go On For Musicians Battling The Coronavirus Crisis"},"content":{"rendered":"\t\t
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The Show Must Go On For Musicians Battling The Coronavirus Crisis.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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by Rebecca Ann Hughes<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA lot of performers live for that moment when people start clapping,\u201d says Liesl Odenweller, a soprano originally from America and now living in Venice. She is the co-founder of the Baroque ensemble\u00a0<\/span>Venice Music Project<\/a><\/strong>.<\/strong> She explains how her group, like many musicians, has spent most of 2020 fighting for its existence by adapting to the trying circumstances the\u00a0<\/span>coronavirus pandemic<\/a><\/strong>\u00a0has thrown up. Despite lockdowns initially seeming to crush most of the culture sector, creative solutions have revived concerts and performances and perhaps even generated new opportunities.<\/span><\/p>

At the end of February this year, all eyes were on northern Italy as the novel coronavirus began its inexorable spread. Venice\u2019s renowned Carnival was halted before its final day, but few would have predicted at that point how protracted the emergency would become. \u201cWe were getting prepared because we were supposed to open our season on March 1,\u201d explains Odenweller, \u201cand so we were gearing up for that and we had a countertenor flying over from the UK.\u201d Venice Music Project is dedicated to rediscovering and reviving 17th and 18th-century music, and their inaugural concert this year should have seen them perform excerpts from G.F Haendel\u2019s opera\u00a0Giulio Cesare<\/em>.<\/p>

However, warning signs quickly began to emerge. \u201cAll of the sudden what really tipped me off was that the musicians\u2019 cooperative that I start a new contract with every year at the end of February said they were getting a bad feeling about the COVID situation so to hold off until the middle of the next week.\u201d One week merged into two and then three, but Odenweller says, \u201cEven then I was writing to our supporters and saying we\u2019re really sad to cancel this week but we\u2019ll see you next week.\u201d<\/p>

Just as many thought, \u201cIt was a while before it really sank in that things had started to get serious and we realized nothing was going to happen for a long time or at all this year,\u201d Odenweller admits.<\/p>

It wasn\u2019t until the end of April that Odenweller and her group could even think about reviving their concerts with online and live streaming options. \u201cGoing online wasn\u2019t even an option for a long time because we weren\u2019t allowed to be in the same space together. But at the end of May when things began to open up again here I thought about it. Someone suggested a live streaming platform and that was the catalyst. I approached a friend and everything fell into place.\u201d Venice Music Project live-streamed a concert from Palazzo Loredan dell\u2019Ambasciatore on the Grand Canal, selling over 120 tickets. \u201cThat was astonishing because we\u2019ve never been able to have that big an audience because we\u2019ve never been in a venue that can accommodate that many people.\u201d<\/p>

In October, Venice Music Project began a program of online concerts. Odenweller explains that the transition online was a little disconcerting at first. \u201cI love to be able to see and interact with my audience and individualize the experience. You just have to pretend there are people out there and play to the camera, but even that is not as satisfying.\u201d In addition, the lack of applause was \u201ctoo weird\u201d, says Odenweller, \u201cso we decided to stand up and take a bow anyway in the hope that people are applauding in their living room. It makes it more complete for us.\u201d<\/p>

However, there were upsides. \u201cWe have reached a lot of people we wouldn\u2019t normally reach, from Tokyo, Vancouver, all over the US. People have written to us saying \u2018my 93-year-old mother hasn\u2019t been able to go to concerts since January and she was thrilled.\u2019 Things like that are very positive for us. And we\u2019ve attracted almost 30 new donors this year.\u201d<\/p>

There was a brief window in autumn when Italy\u2019s performers could play before live audiences again. \u201cIt was wonderful, all we could do was smile at the rehearsals, we were all so deliriously happy,\u201d says Odenweller. But she also describes the stress involved in ensuring audience members and musicians aren\u2019t at risk of infection.<\/p>

Finding ways to continue performing under lockdown was necessary for pragmatic reasons too. \u201cA lot of musicians have contracts with the cooperative for an entire year but are only paid per concert and so many of them did not get any income or government aid until September,\u201d explains Odenweller. Venice Music Project\u2019s online concerts were vital economically for many of its musicians.<\/p>

Looking to the future, Odenweller is confident their in-person audiences will return as soon as they can. \u201cI think when people can come back to live concerts they will want to. As nice as it is to watch a concert from the comfort of your living room with a pizza it\u2019s never quite the same experience!\u201d<\/p>

But the process of taking concerts online has transpired to be more than just a way to get through the pandemic. Odenweller and her ensemble are considering concerts performed simultaneously with an audience and live-streamed with permanent cameras in non-invasive places in St George\u2019s Anglican Church, their regular performance space in Venice. \u201cWe\u2019ve never depended on huge numbers of people but this year with the live streams we\u2019ve sold quite a lot of tickets. It\u2019s great because people have been watching us from all over the place and giving our tickets as gifts.\u201d<\/p>

The decision to experiment with online performances by Venice Music Project and other groups has been a lifeline for many. With lockdown meaning months enclosed in houses and cultural institutions shut, access to online entertainment has been invaluable. \u201cAll of our lives for these months have been watching performances of some kind, whether it\u2019s Netflix or Tik Tok,\u201d notes Odenweller, \u201dand it has kept us all sane.\u201d<\/p>

Venice Music Project relies on the generous donations from its supporters and members. If you are interested in making a contribution, you can make a gift or\u00a0<\/strong><\/em>b<\/em><\/a>ecome a member<\/em><\/a>\u00a0on their website.<\/em><\/strong><\/h4>

For the full article please:<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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The Show Must Go On For Musicians Battling The Coronavirus Crisis. by Rebecca Ann Hughes \u201cA lot of performers live for that moment when people start clapping,\u201d says Liesl Odenweller, […]<\/p>\n","protected":false},"author":5,"featured_media":2175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[306],"tags":[76,330,370,404,329,77,340,73,371],"class_list":["post-1768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articoli","tag-baroque","tag-concert-venice-it","tag-donate-to-classical-music-it","tag-forbes-it","tag-music-in-venice-it","tag-orchestra","tag-posti-per-musica-live-it","tag-soprano","tag-venice-baroque-orchestra-it"],"acf":[],"yoast_head":"\nThe Show Must Go On For Musicians Battling The Coronavirus Crisis - Venice Music Project - L'autentica esperienza di un concerto barocco<\/title>\n<meta name=\"description\" content=\"\u201cA lot of performers live for that moment when people start clapping,\u201d says Liesl Odenweller, a soprano originally from USA living in Venice.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/venicemusicproject.it\/it\/the-show-must-go-on-for-musicians-battling-the-coronavirus-crisis\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Show Must Go On For Musicians Battling The Coronavirus Crisis - 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