The Art of the Baroque Trisonata

— The Art of the Baroque Trisonata —
Two flutes, a cello, and a harpsichord walk into a bar….
No, it’s not a joke: these are the instruments who will accompany us on a voyage between Baroque Italy and England, to discover the Triosonata. You will be swept away by this unique composition style, masterfully performed by our guests, the Ensemble La Mirandola, in a program including works by some of the most illustrious composers of the period!

Music by A. Corelli (1653 – 1713), G.F. Haendel (1685 – 1759), A. Vivaldi (1678 – 1741) and G. B. Sammartini (1700 – 1775)

Guest Ensemble La Mirandola
Fabiano Martignago, Flauto Dolce
Luca Ventimiglia, Flauto Dolce
Rolando Moro, Violoncello
Angelica Selmo, Clavicembalo

*Program Presentation – Click here – (at the moment just the Italian version)

L’ARTE DELLA TRIOSONATA BAROCCA
Georg Friedrich Handel (1685 – 1759)
Trio Sonata in Fa maggiore HWV 405
(Allegro – Grave – Allegro)

Giuseppe Sammartini (1695 – 1750)
Sonata VI in Re minore
(Adagio – Allegro – Largo – Allegro)

Henry Purcell (1659 – 1695)
Chaconne for two Flutes upon a Ground

Antonio Vivaldi (1678 – 1741)
Sonata in si bemolle maggiore RV 46 per violoncello e b. c.
(Largo – Allegro – Largo – Allegro)

Marco Uccellini (1603 – 1680)
Aria Quinta sopra la Bergamasca

Antonio Vivaldi (1678 – 1741)
Trio Sonata in Mi minore
(Grave – Corrente – Giga – Gavotta)

Arcangelo Corelli (1675 – 1719)
Op. 6, Concerto IV (trascrizione di J. Walsh per due flauti e basso continuo)
(Adagio – Allegro – Adagio – Vivace – Allegro – Allegro)

La Mirandola
Fabiano Martignago – Flauto Dolce
Luca Ventimiglia – Flauto Dolce
Rolando Moro – Violoncello
Angelica Selmo – Clavicembalo